Hill Country in late summer. Low water, loud cicadas, hour-long golden hours.


I almost drove away after the first shot. Then the light shifted. The fog lifted just enough to let a thin line of sun break through the treeline, and the whole scene changed.
This is the frame I almost missed.

Cypress Bend sits on a wide curve of the Guadalupe where the bald cypresses have had two hundred years to grow into something cathedral-sized. You show up at the right hour and the sun drops between the trunks like a lantern being lowered on a rope.
I set up between two of the largest trees and waited for the starburst. The ground was covered in fallen leaves that caught the backlight and turned the whole floor gold.

Fischer Park is where the locals go when Landa gets crowded. The water moves slower here, and the cypress canopy hangs low enough that the autumn color reflects back up off the surface.
The color in late October here is brief. You get maybe two weeks where the whole park goes amber and gold before the leaves drop. I happened to be here on one of those afternoons.

I almost missed this. I was shooting upstream when I heard the small splash behind me. A wood duck had hopped onto a flat rock between two boulders and was just … standing there.
I switched to monochrome and got two frames before it slid back into the water. This is the first one.


There’s something about an empty bench that invites you to think about who was just there. These two face the spring run, under a canopy of live oaks that go copper in October. The light comes in at a low angle and the whole scene just sits.
I’ve walked past these benches dozens of times. This was the first time I stopped long enough to really look at them.

There’s a pedestrian bridge over the spring run in Landa Park that nobody pays much attention to. But in late October, when the big cypress behind it turns copper, the backlight pours through the leaves and turns the whole scene into something you’d frame.
The light lasted about ten minutes before the sky closed back over.
